Francoise Mouly: Kids aren’t necessarily — the way we imagine they might be — looking for escape and fantasy. Actually, the seven year old, the eight year old, is eager for a way to map out information — to map out the world. And that’s part of the reason why comics appeal to them. Because they are a very instinctive way to structure information…As Art has often referred to it, it’s a story made manifest spatially. You have a very instinctive way to understand narratives and to understand character’s emotion…It gives you cues. It is in and of itself a medium that kids can use to understand all other kinds of visual information – much more than watching television or playing video games…They can go back to the same story and read it over and over again. And also because it’s done by one person — it’s drawn by hand — it inspires them to want to make comics.
Art Spiegelman: What makes this a real treasury rather than just a bunch of product put together in four hundred pages of offering [is that] so much of this is written and drawn by the same person…And here when we’re looking at Walt Kelly and Sheldon Mayer and, to a degree, John Stanley and certainly Carl Barks, they were really able to enter and make a whole world themselves. Really act it out, draw it, and write it. So you’re really throbbing inside one person’s brain. And to have that many brains presenting fully realized worlds, you feel it when you’re looking through these stories. They have a kind of urgency in their own way…These characters are a lot more complex than Spider Man. Little Lulu is so much more richer than Peter Parker.