"Part of the process we used is called stretch and stipple. You actually need four hands, not two, because you want to hold the skin, paint it, and then use a blow dryer -- on cool so you don't bake him -- to speed up the process. But you actually need four hands. But also you make it efficient and speedy, but we had to learn how to do it together so that there wasn't a feeling of two hands on the face moving separately from each other rather than in conjunction.
If you think of the difference between a massage and two people having a go separately, how that would feel. That's really distracting. So we actually practiced. It's rather like some strange, hip-hop handshake is the only way I can describe it. Doing a make-up simultaneously.
And of course we were in silence, so we mouthed to each other -- eyes, mouth -- you know, just mouthing it...To be perfectly honest, I actually quite like making up people in silence, if I'm really truthful. And fortunately, with Daniel, that is what he liked. So we dovetailed. I don't want to sound pretentious, but the only way I can describe it, is when your hands are working on a face, after a period of time, it's as if the intention of what you're doing has left you -- and the thought process -- and the hands [are] doing it by themselves. So you lose yourself in it. So someone asks you a question, you're sort of broken from it. And it's really hard then to find where you were and begin again. "