It’s All About the Coyote

Part of a discussion between Michael Barrier, author of Hollywood Cartoons: American Animation in Its Golden Age, and Radiolab producer Pat Walters from “The Universe Knows My Name,” from Radiolab, Jan. 11, 2011:

 Wile E. Coyotoe, Esq.

Wile E. Coyotoe, Esq.

Michael Barrier: [Wile E. Coyote] is an extraordinarily human animal.

Pat Walters: And not just like in the facial expressions that he made and ways that he’d look at the camera a lot, but actually, it kind of was about the predicaments he found himself in. Take for example this one really famous cartoon (at 4:20 in the clip below). Like always, Coyote has got a plan. He has made a painting of the road. He’s put this painting right at the edge of the cliff.

MB: The idea being that the Road Runner would run through the painting, gravity would take hold of him, and he would plunge into the chasm…Instead, the Road Runner runs into the painting as if the road were actually continuing. But when the coyote tries to follow the Road Runner into the painting, he runs through the painting and falls…Gravity isn’t this uniformly indifferent force. It’s a malignant force that comes in and out of play according to how inconvenient it can be for the coyote…He’s chasing the Road Runner, but the universe is his opponent.

PW: And that’s kind of what makes the coyote seems so human. He’s in that situation that all of us feel like we’re in sometimes. Like the very laws of physics are against us.

MB: It’s almost a primitive way of thinking, but I think all of us lapse into this, you know, How can this happen? You can’t be human and not feel that way.


Cartoon Physics, Part 1
by Nick Flynn, from Some Ether

Children under, say, ten, shouldn't know
that the universe is ever-expanding,
inexorably pushing into the vacuum, galaxies

swallowed by galaxies, whole

solar systems collapsing, all of it
acted out in silence. At ten we are still learning

the rules of cartoon animation,

that if a man draws a door on a rock
only he can pass through it.
Anyone else who tries

will crash into the rock. Ten-year-olds
should stick with burning houses, car wrecks,
ships going down — earthbound, tangible

disasters, arenas

where they can be heroes. You can run
back into a burning house, sinking ships

have lifeboats, the trucks will come
with their ladders, if you jump

you will be saved. A child

places her hand on the roof of a schoolbus,
& drives across a city of sand. She knows

the exact spot it will skid, at which point
the bridge will give, who will swim to safety
& who will be pulled under by sharks. She will learn

that if a man runs off the edge of a cliff
he will not fall

until he notices his mistake.