art

What Really Matters

What Really Matters

"There’s a tendency for us to think that to be a prophet or to do anything grand, you have to have a special gift, be someone called for. And I think ultimately what really matters is the resolve — to want to do it, to give your life to that which you consider important."

~ Enrique Martínez Celaya

Respites in the Demands of Sensation

Respites in the Demands of Sensation

I swoon and recoil at the tresses blowing
in an arbor without glow
or flame. These are reprieves. Respites
in the demands of sensation
and flow. Know this: you can you can
you can you can you can.

~ Margot Schilpp

Letting Go of Mental Images

Letting Go of Mental Images

"Meditating on the body means meditating on body sensation, not mental images of the body."

~ Michael Taft

The Spaces between Words

Migratory Words by Su Blackwell

"This is the art and alchemy of poetry: through the spaces between the words, borne along on a wave of rhythm and sound, the life breath of the reader joins that of the poet. In this union of forces, an awakening can happen that is not only new from reader to reader, but in a great poem, from reading to reading."

~ Roger Housden, from Ten Poems to Open Your Heart

Poetry Can Help Us Live with Death

"Poetry does seem to be especially good at certain things. For example, we are all going to die. Poetry can help us live with that. Poems are made of words, nothing but words. The particulars in poems are like the particularities, the personalities, that distinguish people from one another. Poems are easy to share, easy to pass on, and when you read a poem, you can imagine someone's speaking to you or for you, maybe even someone far away or someone made up or someone deceased. That's why we can go to poems when we want to remember something or someone, to celebrate or to look beyond death or to say goodbye, and that's one reason poems can seem important, even to people who aren't me, who don't so much live in a world of words."

~ Stephen Burt, from "Why People Need Poetry," TED Talk, June 2013 

See also:

Running in Circles

Mad World
by Gary Jules 

All around me are familiar faces
Worn out places, worn out faces
Bright and early for the daily races
Going nowhere, going nowhere

Their tears are filling up their glasses
No expression, no expression
Hide my head I wanna drown my sorrow
No tomorrow, no tomorrow

I find it kind of funny
I find it kind of sad
The dreams in which I'm dying are the best I've ever had
I find it hard to tell you,
I find it hard to take
When people run in circles it's a very, very
Mad world, mad world

Children waiting for the day they feel good
Happy birthday, happy birthday
Made to feel the way that every child should
Sit and listen, sit and listen

Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me, what's my lesson?
Look right through me, look right through me

And I find it kind of funny
I find it kind of sad
The dreams in which I'm dying are the best I've ever had
I find it hard to tell you,
I find it hard to take
When people run in circles it's a very, very
Mad world, mad world, mad world, mad world


See also:

Unable to Decide, While We Trudge

Fernand Toussaint (Belgian artist, 1873-1955) Lady in the Green Dress with MirrorDear Spring
by Charles Simic

Will you please hurry with your preparations?
We are freezing up north as you procrastinate
Like a rich lady with too many gorgeous outfits
To choose from, spending hours in front of
A mirror, trying them on and unable to decide,

While we trudge to the mailbox through wind
And snow, extract our unwilling fingers
From a glove to check if there’s a letter
From you, or just a bitty postcard, saying:
I’m leaving Carolina today, hurrying your way
With my new wardrobe of flowers and birds.

The tease! I bet she starts and forgets one of her
Hand-painted silk fans and has to go back,
While we stamp our feet and wipe our noses here,
Worrying the wood for the stove is running out,
The snow on the roof will bring the house down.

Embracing Limitations

"We must first become limited in order to become limitless...Learning to be creative within the confines of our limitations is the best hope we have to transform ourselves and to collectively transform our world." 

~ Phil Hansen, from "Embrace the Shake," TED Talks, May 2013   

Philinthecircle's YouTube Channel

Strategic Patience

Art and architecture history professor Jennifer Roberts requires her students to write a twenty-page research paper on a single work of art. Before they begin the research, however, they are expected to spend three hours in front of the actual work. No electronic devices. No distractions. They have to rely on their vision, curiosity, and skills of observation to navigate the slow passing of time.  

Light & Shadow

Clouds (2005) Cut aluminum plate, single light source, shadow

"I sculpt shadow with light or sometimes light with shadow, but both function in essentially the same manner. I take objects and carve and place them in relation to a single light source. The complete artwork is therefore comprised of both the material (the solid objects) and the immaterial (the light or shadow)."

~ Kumi Yamashita

More examples...

Asking Makes You Vulnerable

Amanda Palmer from "The Art of Asking," TED Talks, February 2013:

The media asked, "Amanda, the music business is tanking and you encourage piracy. How did you make all these people pay for music?" And the real answer is, I didn't make them. I asked them. And through the very act of asking people, I'd connected with them, and when you connect with them, people want to help you. It's kind of counterintuitive for a lot of artists. They don't want to ask for things. But it's not easy. It's not easy to ask. And a lot of artists have a problem with this. Asking makes you vulnerable…

…For most of human history, musicians, artists -- they've been part of the community, connectors and openers, not untouchable stars. Celebrity is about a lot of people loving you from a distance, but the Internet and the content that we're freely able to share on it are taking us back. It's about a few people loving you up close and about those people being enough. So a lot of people are confused by the idea of no hard sticker price. They see it as an unpredictable risk, but the things I've done, the Kickstarter, the street, the doorbell, I don't see these things as risk. I see them as trust. Now, the online tools to make the exchange as easy and as instinctive as the street, they're getting there. But the perfect tools aren't going to help us if we can't face each other and give and receive fearlessly, but, more important, to ask without shame.